By the time he turned 20, Micah P. Hinson had already stared down drug problems, jail time, homelessness and financial ruin, so he comes by his dour world-weariness honestly. His difficult background also goes a long way toward explaining the depth of the appreciation he conveys on his warm and wonderful "The Day the Volume Won." In just under two and a half minutes, Hinson, now 25, bears the weight of his feelings as if it were the weight of the world.
"Despite all that I have done / you rescued me from me," Hinson sings with equal parts loving gratitude and grim resignation. The clarity of his expression, and the belief in his own salvation, radiates so purely that it momentarily becomes unclear whether he’s singing to a loved one or a benevolent God. Regardless, for a song Hinson wrote at the tail end of his teens, "The Day the Volume Won" suggests an acute understanding of a lifetime’s worth of failure, disappointment and stubborn hope.
After the recent release of his The Baby & The Satellite EP (a marvelous collection of reworked early material and demos), Hinson’s prolific year continues with a full-length solo album in October, as well as Lights from the Wheelhouse, an intriguing EP recorded with The Earlies’ John-Mark Lapham under the name The Late Cord. The latter collection, slated for a July 25 release, is highlighted by the mesmerizing "My Most Meaningful Relationships Are With Dead People" (bonus audio). A hypnotic seven-minute dirge that brings to mind a collaboration between TV on the Radio and Twin Peaks composer Angelo Badalamenti at half-speed, the track demonstrates Hinson’s fully formed gift for brooding, deliberately paced beauty.